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I’ve had some great Matrix-style camera orbits just as I manage to kick an opponent’s head off. This can be disorienting at first, but I think it’s actually a net positive. Time is regularly slowed–or stopped for big hits–and it seems like the camera is constantly orbiting and tracking new opponents. The camera in Rubber Ninjas takes a lot of liberties in presenting the action from all sorts of different angles. ( Rubber Ninjas Game Screenshots) Cinematic Goodness You learn to somehow have a tendency to keep your head away from their flailing limbs, while increasing the regularity of your flailing limbs being near their weak spots. I know I’m getting better at the game–the first few levels in each campaign are quite easy now–but I couldn’t tell you exactly what I’m doing different. The interesting side effect of this is the learning curve of Rubber Ninjas is somewhat obscured. It’s quite different than some of the precision possible in a game like, say, Toribash. Instead, you can influence your spin and try to get a good flail in his general direction. It’s very difficult to see an opening in your opponent and say to yourself, “ Now! Kick his head! Kick it!“. You feel like you can merely influence your fighter. The best you can do is begin a spin on the camera plane and hope the momentum transfers into your new direction before too long.īecause of this, playing Ragdoll Ninjas is something of a once-removed experience. For instance, if you’re spinning towards the camera, you can’t immediately stop that spin (because you can’t directly move towards or away from the camera). The addition of full 3D movement means your ragdoll fighter spin in directions you cannot directly counteract. I’m not sure offhand what I would do differently if I were to attempt the same! Influencing, Not Controlling

Despite a few quirks, I think Matteo actually did a great job full 3D movement with a simplified 2D input system. Simplifying true 3D is a tricky problem to solve. Because your “left” and “right” are relative to the camera, you need to compensate for camera orbits by alternating your input as the camera moves to the backside of your character to keep your windmill going. Much of the gameplay strategy is maintaining angular momentum an effective strategy is windmilling as much as possible. This can become confusing when the camera orbits quickly, though. Controls are always handled perpendicular to the camera–you can’t move in and out, just on the camera’s plane–and the camera will auto-rotate to position the nearest opponent on the same plane as your movement.įor control purposes, then, the gameplay is still essentially 2D.

From the player’s point of view its “3Dness” isn’t very important, though. The most obvious feature addition to Ragdoll Ninjas is that the fighting space is now 3D.

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